Hugh B. O’Brien: a tribute
Friday, December 29, 2006
Three Beckett plays tonight, and three episodes of Star Trek: The Next Generation. This is grossly unfair; at this rate we will be clear of Beckett before we’re a tenth of the way through the 186, or something like that, episodes of Star Trek: The Next Generation.
The C4 adaptation of Beckett’s Rough for Theatre II features an all-star cast of Jim Norton, Timothy Spall, and Hugh B. O’Brien, a.k.a., respectively, Bishop Brennan from Father Ted, Rosencrantz from Brannagh’s Hamlet, and some other bloke you’ve never heard of. But what does that matter, when all he does is stand in a fecking window and die?
In the playground today there was a four year-old boy with some sort of handheld video game, standing motionless but for his thumbs, which tapped like those of a WWII (not ”Wii”) morse operator, eyes flickering like fireflies, with two other kids hanging on his shoulders watching, when they could all have been eating soil and fighting like boys ought to. Even though I carried the day morally, the boy’s mother beamed on, adoringly, wallowing in the wrongness of the situation.
Or did they use other digits for morse, in WWII, their index fingers, or their ring fingers, or some combination of the four?
El Presidente is lean, long-necked, and plain. What would you say to him, if you could say anything? He would extend an arm, and a smile, and say “hello”, and it would occur to you that the famed intelligence and acumen, the always-on analytical mind, and the legendary charm, these are just the skin, like the skin of an automaton, a thin frame, and beneath the frame is what? Blank, fathomless calm, a cavernous monochrome room, illuminated thinly by a tiny or very distant flame.